A traveling show that engages audiences. Spectators must follow specific instructions to enjoy both the video creation captured in the stroller's four windows and the live performance of the Countess's and the chauffeur\/gentleman's choreography.<\/span><\/p>\n \u00a0<\/span><\/p>\n La Petite Voiture 2.0 ironically presents a critique of patriarchy and the stigmatization of women through aspects such as money, glamour, and beauty.\u00a0<\/span><\/p>\n <\/p>\n For all audiences.<\/span><\/p>\n La Petite Voiture 2.0 <\/em>introduces us to the Countess and the Gentleman. The second represents glamour, the superficial world that we all love and desire at some point.<\/p>\n The Countess lives hooked on him and what it means to be trapped and try to escape every day to free herself from her bonds. However, it is not easy to break the chains when the brightness of everything around you blinds you.<\/p>\n The myth of Sisyphus serves as inspiration to show a society in which everything repeats itself in a continuous and exasperating way. Furthermore, the show raises different questions: what is the price of money really? How are we socially conditioned? Do we all hide a little voyeur inside? as well as, a reflection on love, confinement, claustrophobia, social ties or the idea of God. .<\/p>\n Artistic direction, choreography and video creation: <\/span>Alice Soto<\/b><\/p>\n Dramaturgy: <\/span>Alice Soto<\/b><\/p>\n Direction and production of video creation: <\/span>Manuel Rodr\u00edguez Arnanz<\/b><\/p>\n Design and construction of scenery: <\/span>Bruno Rossi<\/b><\/p>\n Dancers: <\/span>Paloma Calder\u00f3n, Lucas Garc\u00eda<\/b><\/p>\n <\/p>\n Assembly technician: <\/span>C\u00e9sar Fuentes<\/b><\/p>\n Tour Technician: <\/span>Alberto P\u00e9rez<\/b><\/p>\n Assembly shop: <\/span>Paco Serrada<\/b><\/p>\n Music: <\/span>Musical collage<\/b><\/p>\n Costume design: <\/span>Elisa Sanz<\/b><\/p>\n Costume making: <\/span>Julia Acebes<\/b><\/p>\n <\/p>\n Photograph: <\/span>Luis Antonio Barajas<\/b><\/p>\n Graphic design: <\/span>Lemon Press<\/b><\/p>\n Communication: <\/span>Lemon Press and Future Precise<\/b><\/p>\n Video creation:<\/b><\/p>\n Interpreter:\u00a0 <\/span>Ra\u00fal Gallo de la Viuda<\/b><\/p>\n Extras: <\/span>Puri Recio, Soraya Su\u00e1rez, Amira Vaquero Alonso and M\u00aa Carmen Morales<\/b><\/p>\n Writing Contributors: <\/span>Imad Mohamed Abdallah Merii, Elena Sevostyanova<\/b><\/p>\n Production: <\/span>Marta Besteiro<\/b><\/p>\n Administration: <\/span>Sofia Garcia Fernandez<\/b>\u00a0<\/span><\/p>\n Thanks to:<\/span><\/p>\n Serrada Town Hall<\/b> <\/p>\n <\/p>\n The internationally renowned dance company Alicia Soto-Hojarasca resumed its close collaboration with the Valladolid town of Serrada for this 2022 production, having been the resident company from 2005 to 2013.<\/p>\n During that period, nine of the most iconic shows of her career were released. It also established one of the pillars of Alicia Soto's project: creating a link between the rural environment and artistic creation that aims to benefit both parties.<\/p>\n A philosophy that he began to develop when he established his rehearsal space and ideas laboratory in Sasam\u00f3n (Burgos) between 1994 and 2002. With the support and complicity of the Serrada City Council, a renewed production of La petite voiture. The Comtesse<\/em>, a show that was born in Serrada in 2011. As on that occasion La Petite Voiture 2.0<\/em> Many residents and businesses from Serrada have participated in the artistic, technical, and production aspects. For example, the transformation of the car featured in the piece, a 1950s antique, into an eco-friendly vehicle with projection screens in the various windows was carried out by Talleres Paco in 2011, and the same establishment has now taken charge of its installation. Additionally, three women from the town participated in the recording of the video creation that accompanies the show.<\/p>","protected":false},"featured_media":271,"template":"","tags":[18],"tipo-de-espectaculo":[13],"edicion":[45],"class_list":["post-40","espectaculos","type-espectaculos","status-publish","has-post-thumbnail","hentry","tag-destacados","tipo-de-espectaculo-calle","edicion-edicion-1"],"acf":[],"_links":{"self":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/espectaculos\/40","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/espectaculos"}],"about":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/types\/espectaculos"}],"version-history":[{"count":37,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/espectaculos\/40\/revisions"}],"predecessor-version":[{"id":8494,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/espectaculos\/40\/revisions\/8494"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/media\/271"}],"wp:attachment":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/media?parent=40"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/tags?post=40"},{"taxonomy":"tipo-de-espectaculo","embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/tipo-de-espectaculo?post=40"},{"taxonomy":"edicion","embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/edicion?post=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Synopsis<\/h2>\n
\nFinally, the stroller is another character in this story, representing the Countess's inner world that we can discover through her windows and, on the other hand, being her prison and her attachment to the Gentleman's world.<\/p>\nartistic sheet<\/h2>\n
\n<\/b>Fernando Arribas \u00abAuthor's magic\u00bb<\/b>
\n<\/b>Indoor swimming pool at the Technology Center<\/b>
\n<\/b>Sports Center "Rio Esgueva" Valladolid (Castile and Le\u00f3n)\u00a0<\/b><\/p>\n![\"\"](\"https:\/\/hojarasca-danza.com\/wp-content\/uploads\/2023\/06\/logos-petite-1024x140.png\")
<\/p>\nProject<\/h2>\n