{"id":44,"date":"2022-06-29T15:56:52","date_gmt":"2022-06-29T15:56:52","guid":{"rendered":"https:\/\/hojarasca-danza.com\/?post_type=espectaculos&#038;p=44"},"modified":"2026-10-02T12:54:52","modified_gmt":"2026-10-02T12:54:52","slug":"el-jardin-de-las-hesperides","status":"publish","type":"espectaculos","link":"https:\/\/hojarasca-danza.com\/en\/espectaculos\/el-jardin-de-las-hesperides\/","title":{"rendered":"The garden of the Hesperides"},"content":{"rendered":"<style>.jh-content{--bg:#000;--bg-panel:#0d0d0d;--bg-elev:#151515;--border:#272727;--text:#fff;--text-dim:#d1d1d1;--text-muted:#8a8a8a;--accent:#ED1919;--warm:#FFBC7D;--serif:\"Crimson Text\",Georgia,serif;--sans:\"Open Sans\",system-ui,sans-serif;--display:\"Montserrat\",system-ui,sans-serif;color:var(--text);font-family:var(--sans);font-size:17px;line-height:1.6}.jh-content *{box-sizing:border-box}.jh-content img{max-width:100%;display:block}.jh-content .page-title{margin-bottom:40px;padding-bottom:24px;border-bottom:1px 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.strengths{margin:64px 0}.jh-content .strengths h2{font-family:var(--serif);font-size:32px;font-weight:400;text-align:center;margin:0 0 36px}.jh-content .strengths h2::after{content:\"\";display:block;width:60px;height:2px;background:var(--accent);margin:14px auto 0}.jh-content .strengths .item{padding:22px 0;border-bottom:1px solid var(--border)}.jh-content .strengths .item:last-child{border-bottom:none}.jh-content .strengths .item h3{font-family:var(--display);font-size:15px;font-weight:700;letter-spacing:.08em;text-transform:uppercase;color:var(--accent);margin:0 0 8px}.jh-content .strengths .item p{font-size:16px;color:#fff;line-height:1.7;margin:0}.jh-content .ficha{margin-top:64px}.jh-content .ficha h2{font-family:var(--serif);font-weight:400;font-size:36px;margin:0 0 28px}.jh-content .ficha h2::after{content:\"\";display:block;width:50px;height:2px;background:var(--accent);margin-top:14px}.jh-content .ficha-grid{display:grid;grid-template-columns:repeat(2,1fr);gap:18px 36px;margin:0}.jh-content .ficha-grid .row{display:flex;flex-direction:column;gap:4px;padding-bottom:14px;border-bottom:1px dotted #2a2a2a}.jh-content .ficha-grid .row .k{display:block;font-family:var(--display);font-size:12px;font-weight:700;letter-spacing:.14em;text-transform:uppercase;color:#fff}.jh-content .ficha-grid .row .v{display:block;font-size:16px;color:#fff;margin:0}.jh-content .needs-review{background:rgba(237,25,25,.08);padding:2px 8px;border-left:2px solid var(--accent)}.jh-content .logos-block{margin-top:56px;padding-top:40px;border-top:1px solid var(--border)}.jh-content .logos-block img{width:100%;height:auto;display:block}@media (max-width:700px){.jh-content .ficha-grid{grid-template-columns:1fr}}<\/style>\n<div class=\"jh-content\">\n<div class=\"page-title\">\n<h1>The garden of the Hesperides<\/h1>\n<p class=\"subtitle\">An international production \u00b7 Directed and choreographed by Alicia Soto<\/p>\n<\/div>\n<div class=\"intro\">\n<p class=\"lead\">There is a hidden oasis in the confines of memory, a refuge where the sand of the Atlas Mountains and the Iberian stone merge into a single heartbeat. <strong>\u00ab&quot;The Garden of the Hesperides&quot;\u00bb<\/strong> It is not just a classic myth; it is the inner map of the universal woman.<\/p>\n<p>Born from a deep process of social research through artistic residencies and creative workshops with local women from Spain and Morocco, this proposal raises a living sculpture on the stage through the language of the body, the root of Maghrebi digital music and the poetry of movement.<\/p>\n<p>A hypnotic journey of resistance, mysticism, and shared rituals that travels through everyday darkness until it explodes into a luminous celebration of freedom.<\/p>\n<\/div>\n<div class=\"award-block\">\n<p class=\"award-seal\"><img decoding=\"async\" src=\"https:\/\/hojarasca-danza.com\/wp-content\/uploads\/2022\/06\/LogoVCentenario-recortado-1024x943.png\" alt=\"V Centenario \u00b7 1\u00aa Vuelta al Mundo de Magallanes\" width=\"104\" \/><strong>The show has obtained, due to its quality and theme, the seal of the V Centenary of Magellan&#039;s 1st Circumnavigation of the World, granted by the Ministry of Culture.<\/strong><\/p>\n<p class=\"award-prize\"><span class=\"award-label\">\ud83c\udfc6 Award<\/span><strong>\u00abSpecial Jury Mention awarded at the VI Baghdad International Theatre Festival (Iraq)\u00bb<\/strong><\/p>\n<\/div>\n<div class=\"quotes\">\n<blockquote class=\"quote\"><p><span class=\"flag\">\ud83c\uddee\ud83c\uddf6<\/span><\/p>\n<p>\u00ab&quot;The mastery of the work is manifested in the unity of its intellectual, aesthetic, and dramatic discourse.&quot;\u00bb<\/p>\n<p><cite>Arslan Darwish \u00b7 Kurdistan \u00b7 Baghdad International Theatre Festival \u00b7 October 2025<\/cite><\/p><\/blockquote>\n<blockquote class=\"quote\"><p><span class=\"flag\">\ud83c\uddf9\ud83c\uddf3<\/span><\/p>\n<p>\u00ab&quot;A sensory and contemplative experience that dazzled the audience.&quot;\u00bb<\/p>\n<p><cite>World Theatre Festival \u00b7 National Theatre of Tunisia \u00b7 Backstage Newspaper, Tunisia<\/cite><\/p><\/blockquote>\n<blockquote class=\"quote\"><p><span class=\"flag\">\ud83c\uddec\ud83c\udde7<\/span><\/p>\n<p>\u00ab&quot;The show is rich in dance imagery and emotionally very intense. The work emerges as a universal reflection on female identity and its narrative of liberation.&quot;\u00bb<\/p>\n<p><cite>Cristina de Lucas \u00b7 Review of the London magazine Bachtrack<\/cite><\/p><\/blockquote>\n<\/div>\n<div class=\"strengths\">\n<h2>Why schedule this show?<\/h2>\n<div class=\"item\">\n<h3>Co-production and social research strategy<\/h3>\n<p>A vibrant cultural bridge between Spain and Morocco, forged through artistic residencies and co-creation workshops with women from both countries. The dialogue between these two shores enriches the aesthetics and mysticism of the work, making it ideal for folk festivals, diversity series, and institutional programming.<\/p>\n<\/div>\n<div class=\"item\">\n<h3>International critical acclaim and prestige<\/h3>\n<p>A show formally endorsed by specialized European critics (London&#039;s Backtrack) and selected with great success in the official programs of leading festivals in Tunisia, Turkey, Morocco and Iraq.<\/p>\n<\/div>\n<div class=\"item\">\n<h3>Universal themes of the highest relevance<\/h3>\n<p>A deeply committed proposal that addresses identity, emancipation, and global female solidarity. Its message resonates immediately with contemporary social trends and public programming criteria.<\/p>\n<\/div>\n<div class=\"item\">\n<h3>Multidisciplinary and synesthetic stage experience<\/h3>\n<p>A fusion of contemporary dance, stagecraft, spoken word, original lighting, and a carefully curated soundtrack with clear Maghrebi digital roots. It appeals to both dance enthusiasts and traditional theatergoers.<\/p>\n<\/div>\n<div class=\"item\">\n<h3>High-impact cast and universal language<\/h3>\n<p>Five actress-dancers from diverse cultural backgrounds break down any language barrier through the universal language of the body, transforming the stage into a malleable and powerful living sculpture.<\/p>\n<\/div>\n<div class=\"item\">\n<h3>Logistics optimization and technical sustainability<\/h3>\n<p>Its intelligent spatial design and calculated scenic austerity highlight the power of the performance without the need for large infrastructures. It offers excellent viability in terms of transport costs, distribution, and setup time.<\/p>\n<\/div>\n<div class=\"item\">\n<h3>Climax of great visual impact<\/h3>\n<p>The play concludes with an energetic explosion of jubilation and colored powder on stage. A powerful visual effect that leaves an indelible emotional impression and generates excellent word-of-mouth buzz among audiences.<\/p>\n<\/div>\n<\/div>\n<div class=\"ficha\">\n<h2>artistic sheet<\/h2>\n<div class=\"ficha-grid\">\n<div class=\"row\"><span class=\"k\">Creation and choreography<\/span><span class=\"v\">Alice Soto<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Dramaturgy<\/span><span class=\"v\">Alicia Soto \u00b7 Julio Mart\u00edn de la Fonseca \u00b7 Carmen Samuelli Antaria<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Theatre direction<\/span><span class=\"v\">Julio Martin de la Fonseca<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Performers<\/span><span class=\"v\">Lorena di Calogero \u00b7 Paloma Calder\u00f3n \u00b7 Sanae Assif \u00b7 Ester Lozano \u00b7 Alicia Soto<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Texts<\/span><span class=\"v\">Carmen Samuelli Antaria \u00b7 Alaa Awal<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Musical direction<\/span><span class=\"v\">Abel Hernandez<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Original music<\/span><span class=\"v\">Abdellah Mansouri<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Lighting design<\/span><span class=\"v\">Eduardo Vizuete<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Choreographic design and stage space<\/span><span class=\"v\">Elisa Sanz<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Photograph<\/span><span class=\"v\">Luis A. Borges<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Trailer<\/span><span class=\"v\">Macropoint<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Clothing and hairdressing<\/span><span class=\"v\">Luis A. Borges<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Institutional image<\/span><span class=\"v\">Jose Navarro<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Production<\/span><span class=\"v\">Marina Aranda \u00b7 Julio Soto Romero<\/span><\/div>\n<div class=\"row\"><span class=\"k\">Communication<\/span><span class=\"v\"><span class=\"needs-review\">Pending update<\/span><\/span><\/div>\n<div class=\"row\"><span class=\"k\">Acknowledgments<\/span><span class=\"v\">Marina Aranda \u00b7 Virginia Lirigayotona<\/span><\/div>\n<div class=\"row\"><span class=\"k\">A production of<\/span><span class=\"v\">Leaf litter dance<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"logos-block\"><img decoding=\"async\" src=\"https:\/\/hojarasca-danza.com\/wp-content\/uploads\/2026\/06\/logos-hesperides.png\" alt=\"Logos institucionales\" \/><\/div>\n<\/div>","protected":false},"featured_media":596,"template":"","tags":[18],"tipo-de-espectaculo":[16],"edicion":[],"class_list":["post-44","espectaculos","type-espectaculos","status-publish","has-post-thumbnail","hentry","tag-destacados","tipo-de-espectaculo-sala"],"acf":[],"_links":{"self":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/espectaculos\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/espectaculos"}],"about":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/types\/espectaculos"}],"version-history":[{"count":78,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/espectaculos\/44\/revisions"}],"predecessor-version":[{"id":8770,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/espectaculos\/44\/revisions\/8770"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/media\/596"}],"wp:attachment":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/media?parent=44"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/tags?post=44"},{"taxonomy":"tipo-de-espectaculo","embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/tipo-de-espectaculo?post=44"},{"taxonomy":"edicion","embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/edicion?post=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}