{"id":118,"date":"2022-09-29T23:49:58","date_gmt":"2022-09-29T23:49:58","guid":{"rendered":"https:\/\/hojarasca-danza.com\/2023\/03\/29\/la-videocreacion-sublime-enfado-se-proyectara-en-quinzena-de-danca-de-almada\/"},"modified":"2023-06-06T17:45:34","modified_gmt":"2023-06-06T17:45:34","slug":"la-videocreacion-sublime-enfado-se-proyectara-en-quinzena-de-danca-de-almada","status":"publish","type":"post","link":"https:\/\/hojarasca-danza.com\/en\/destacado\/la-videocreacion-sublime-enfado-se-proyectara-en-quinzena-de-danca-de-almada\/","title":{"rendered":"The video creation &#039;Sublime enfado&#039; will be screened at Quinzena de Dan\u00e7a de Almada"},"content":{"rendered":"<h4><strong>The Quinzena de Dan\u00e7a de Almada \u2013 International Dance Festival will screen <em>Sublime anger, <\/em>a digital work that results from the meeting between the Spanish choreographer and dancer Alicia Soto with the Portuguese artists, J\u00falio Mart\u00edn da Fonseca, (theater director), Pedro Sena Nunes (film director), and Dina Figueiredo (plastic artist), with the collaboration of Helena Reis (composer).\u00a0<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<p>It can be seen within a cycle dedicated to the director Pedro Sena Nunes within the festival on October 1 at Casa da Cerca \u2013 Contemporary Art Center. <a href=\"https:\/\/quinzenadedancadealmada.cdanca-almada.pt\/four_void\/\" target=\"_blank\" rel=\"noopener\">Link to the event<\/a>.<\/p>\n<p><a href=\"https:\/\/hojarasca-danza.es\/espectaculos\/sublime-enfado-alicia-soto-hojarasca-compania-de-danza-contemporanea-inicio\/\" target=\"_blank\" rel=\"noopener\"><em>sublime anger<\/em><\/a> is a digital work that results from the encounter between the Spanish choreographer and dancer Alicia Soto with the Portuguese artists, J\u00falio Mart\u00edn da Fonseca, (theater director), Pedro Sena Nunes (filmmaker), and Dina Figueiredo (plastic artist), with the collaboration of Helena Reis (composer).<\/p>\n<p>The stained glass window evokes a reflection on life, death and resurrection, from which a dramaturgy transcends that confronts us with a sublime challenge, faced with the immobility of a showcase and its dimensions, the mobility of dance and how to unite both artistic languages.<br \/>\n\u201c<em>sublime anger<\/em> It is a feeling, a restlessness, a question about existence, about life, between death and rebirth...<br \/>\nIt flows like liquefied matter and spirit, an alchemical, vegetable, mineral, flaming, vaporous mixture...<br \/>\nAscents and descents of a body and a soul that search in the dream and in reality for something more...<br \/>\nHands and looks that scrutinize the wood that makes culture and the land that sustains nature...<br \/>\nFalling asleep and waking up among fallen leaves and fragments of iridescent transparencies of a unity or plenitude lost or to be reinvented... &quot;. Julio Martin da Fonseca<span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">.<\/span><\/p>\n<p><iframe title=\"#ThisIsNotAMusicBreak: Sublime Anger \u2013 Alicia Soto + J\u00falio Mart\u00edn da Fonseca\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/3Wuwwq4Xj1s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>La Quinzena de Dan\u00e7a de Almada \u2013 International Dance Festival proyectar\u00e1 Sublime enfado, una obra digital que resulta del encuentro entre la core\u00f3grafa y bailarina espa\u00f1ola Alicia Soto con los artistas portugueses, J\u00falio Mart\u00edn da Fonseca, (director de teatro), Pedro Sena Nunes (realizador de cine), y Dina Figueiredo (artista pl\u00e1stica), con la colaboraci\u00f3n de Helena [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3,5],"tags":[],"class_list":["post-118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destacado","category-noticias"],"acf":[],"_links":{"self":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/posts\/118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/comments?post=118"}],"version-history":[{"count":3,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/posts\/118\/revisions"}],"predecessor-version":[{"id":6227,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/posts\/118\/revisions\/6227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/media\/826"}],"wp:attachment":[{"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/media?parent=118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/categories?post=118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hojarasca-danza.com\/en\/wp-json\/wp\/v2\/tags?post=118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}